Thursday, December 3, 2009

every christmas story ever told (and then some!)

Every Christmas Story Ever Told (And Then Some!), by Michael Carletonn, James FitzGerald and John K. Alvarez - with original music by Will Knapp - and directed by Dorinda Toner, is nothing short of outrageously fun holiday hilarity.

Instead of performing Charles Dickens's beloved classic A Christmas Carol for the umpteenth time, three actors decide to take their audience on a madcap romp through the holiday season by performing snippets from various Christmas movies and shows, sharing about traditions from around the world, singing every carol ever sung and throwing in a little topical pop culture. This comedy is sure to have you laughing out loud -- even as you head home after the show.

Dates and Times
December 3, 4, 5, 11, 12, 17, 18 & 19 at 7:00 pm
December 12 at 2:00 pm

Location
The Magenta Theater at 606 Main Street, Vancouver, WA 98660

Prices
$14 VIP seats
$12 front seats
$10 side seats
> reservations recommended
> limited seats may be available at door for slightly higher price
> ask about available discounts


Make your reservation today!
Online: www.magentatheater.com
Email: tickets@magentatheater.com
Call: (360) 635-4358

Thursday, October 8, 2009

on a darkened stage...

On a darkened stage...
Thursday, October 8
by Adam Stewart
Vancouver Voice

For October, Magenta decided to do something a little scary. No ghosts or supernatural creatures or alien invasions for Halloween this year. No, this year Magenta chills us with a tense tale of a different kind of invasion.

The third performance, on Saturday, October 3, was played before a packed house, which had been warned that this was unusually gritty fare for Magenta. "Introduce yourself to the person beside you," producer Jaynie Roberts warned us, "because you'll get to know them very well."

What follows, then, is Magenta's production of Frederick Knott's 1966 thriller, "Wait Until Dark." Theirs is a thrilling rendition of the story, but rather than rely on shock and surprises, director David Roberts (no relation to Jaynie, they assure us) builds an intensity that keeps the suspense high through the whole play before erupting in the explosive climax.

Set in the 1960s, a time of cultural and domestic change, the entire play takes place in a standard '60s living room/kitchen, with a two-tier, baize and green-grey decor and appliances and household items from that era. '60s pop songs fill the interlude between scenes; Simon and Garfunkel's gentle "Benedictus" leads the audience in as the set is cast in a soft green light, starting the play unassuming enough.

Glenn Chipman and Justin Enger respectively play Mike and Carlino, two con men who find themselves unwilling assistants to Roat (Dirk Wallace.) Roat has slain an associate of theirs and holds their accountability ransom for their aid in a venture that will earn a healthy chunk of change for all of them. Their aim is a doll that had come into the possession of Sam (Matt Newport,) a photographer who is unaware that the doll contains a weighty stash of heroin.

So the three criminals weave an elaborate scheme to lure Sam away from the house, where they can trick Sam’s blind wife Susy (Dorinda Toner) into revealing the doll's whereabouts.

Toner, the star of this production, plays Susy with an apparent innocence blended with a touch of long-suffering: qualities likely common in housewives of that day. She's played with sympathetic timidness (Sam, we find out, can be an overbearing husband) and the shaky, underlying courage the character needs. She's also utterly believable as a visually impaired woman, her gaze never locking on her co-stars and her hands feeling their way through the show (the detail of her familiarity with the environment, of course, is crucial to the unfolding of the story.)

Glenn Chipman is just as magnetic as the con man who is forced past his boundaries and who is susceptible to feeling sympathy (possibly among other things) for Susy. His infectious Brooklyn tough-guy speech and his barely-guarded frustration makes his better side that much stronger. It also makes for a likable rogue.

Not so friendly is Dirk Wallace's turn as Roat. To play a villain is to risk overacting, either as a boisterous thug or as a snaky deceiver. Wallace carefully treads the latter for the bulk of the play, but when things turn nasty, he screams his rage in verbal punches, sneers as he kicks over a recently slain body, and intimidates the audience as much as he does his co-stars. The struggle of wits between the timidly bold housewife and the imposing, near-psychotic male is the climax the story's tensity promises to deliver, and, between Toner and Wallace, it certainly doesn't disappoint.

Being a smaller theater, the drama and sometimes violent action is that much more close-quarters, giving us the sensation that we're stuck in the room. Tricky lighting (an absolute must for this play) is handled expertly. Roberts keeps things moving along at a pace that's brisk enough to keep the smart script – which has details that warrant close attention – easy enough to follow. This is also helped by sharp deliveries the uniformly good cast.

What Roberts and his cast gives us for Halloween this year is the unsettling suspense of watching the invasive buckling of a seemingly comfortable environment: domesticity invaded by the violence of the outside – and possibly inside – world. No ghosts or monsters can be that scary.

"Wait Until Dark" runs through 17. For more information, visit www.magentatheater.com.

Wednesday, October 7, 2009

fall fare

Excerpt from Fall in
Wednesday, September 30
by Adam Stewart
Vancouver Voice

There's something refreshing about the onset of autumn. After our relatively dry and record-breaking hot summer, the cool-down is coming none too soon. This time of year, we prepare for Halloween, light up our pumpkin spice candles, and inevitably, spend more time indoors. What to do....

Well there will be plenty to do for theater-goers this fall, and there will be plenty of genres for them to choose from. For the scary season this year, Magenta is preparing to put its audience on edge with their production of Frederick Knott's classic thriller, Wait Until Dark.

"It’s a very tense play," said producer Jaynie Roberts. "It’s not a relaxing play to sit through because there's a lot of tension and fear." Roberts said that, when she watches rehearsals, she can only endure the intensity of the play for so long.
Wait Until Dark will star Dorinda Toner as Susy Hendrix, a blind housewife who is in unwitting possession of a doll filled with narcotics and who is harassed by three men trying to recover it. Dorinda's real-life daughter, Hannah, will be playing the role of Gloria.

Roberts said the impairment of the lead character has presented a challenge for the production. "We knew that we would have the challenge up front for making Suzie the blind woman believable," she said, "and also making sure that we did it in a sensitive way. Visually impaired actress Brooke Strand, who performed in Magenta's previous production, The Wind and the Willows, has been called in as a consultant. "She's been very good about helping us be authentic in that respect," Roberts said of Strand.

Another limitation to overcome is the moderate size of the Main Street Theater's stage. For this production, the stage has been expanded on the sides at the expense of a few flanking seats, which, according to Roberts, don't tend to sell out, anyway. Yet the stage will still be crowded with household appliances, and, given the sometimes violent nature of the story, some bumps and bruises have been earned along the way.

"Here's the thing," said Roberts, "we’re a family-friendly theater company, but that doesn't necessarily mean that all we do are children's productions. We want to offer something for everybody. This particular show, we are warning people, do not bring children to the show under the age of 10 [...] simply because it's scary.

"I think that it'll be surprising and eye-opening for a lot of the people that have seen our past productions."

Roberts said the show will come as something of a surprise to those used to Magenta's lighter recent productions. "I'm delighted," she said. "I'm very proud of this. It’s not going to be something that you leave going, 'Oh! That was hysterical!' It'll make you leave looking over your shoulder....

"I would say just come with an open mind and be prepared to be a little intimidated and frightened."

On top of their main production, Magenta will celebrate Halloween this year with Mystery On Main on October 30 and 31. It's a comedic interactive event, where members of the audience are split into groups by goofball detective Harry Fettuccine, and will compete in searching the building for clues to solve the mystery of the whereabouts of one D.B. Cooper.

Wait Until Dark runs October 1 through 17. For more information about both events, visit www.magentatheater.com.

Friday, October 2, 2009

'dark' and gritty

Magenta Theater Goes 'Dark' and Gritty
Thursday, October 1
by Mary Ann Albright
Columbian

Magenta Theater expanded its stage out and up for "Wait Until Dark," and the production is stretching the group's mission as well as its physical space.

Magenta Theater historically has focused on family-friendly fare appropriate for people of all ages, often skewing toward comedies and female-centric shows such as "Steel Magnolias" and "Anne of Green Gables." "Wait Until Dark," a tense production not recommended for children younger than 10, is a departure for Magenta.

"'Wait Until Dark' is truly stepping out on a limb and doing something we haven't done before," said Jaynie Roberts, Magenta's artistic director and the show's producer.

The shift came in response to audience demand, said Roberts, 54, of Vancouver.

"Some of our patrons, especially our seniors, were wanting something that's a little more gritty," she said.

"Wait Until Dark," which opened Oct. 1 and is written by Frederick Knott and directed by Dave Roberts — no relation to Jaynie, is edgier fare, with violence, drug references, manipulation and intense situations.

The play is set in 1960s New York City in a basement apartment. To create the illusion of a basement in the theater, Magenta built a two-story set, with the second level representing the street. Audience members will see feet walking by a window as if they're looking out of the apartment.

The story centers on Susy Hendrix, played by Vancouver actress and director Dorinda Toner. Susy is a blind woman caught in a cat-and-mouse game with con men who think she knows the whereabouts of a drug-filled doll her husband, Sam, supposedly agreed to bring across the Canadian border, presumably unaware of what was inside.

The con men, led by mastermind Roat, played by Portland actor Dirk Wallace, try to befriend Susy and turn her against Sam to retrieve the doll.

Dave Roberts, who founded and served as artistic director of the former theater group Vancouver OnStage, calls "Wait Until Dark" a "reverse mystery." The audience knows what's going on and is waiting to see if, how and when Susy will figure it out, said the 40-year-old from Battle Ground.

One of the biggest but most fun challenges of playing Susy was "learning all the intricacies of how non-sighted people navigate the world," said Toner, 34.

Brooke Strand, a Magenta actress and teacher at the Washington State School for the Blind, who is legally blind, coached Toner and gave her assignments such as wearing a blindfold around the house. Dave Roberts also had Toner rehearse in the dark.

Toner said her favorite scene comes at the end of the play and takes place in the dark, offering the audience a sense of what Susy's life is like and giving her the upper hand over Roat.

"It's incredibly intense, and that fight-or-flight (instinct) really kicks in," she said.

Many of the cast and crew first became acquainted with "Wait Until Dark" watching the 1967 film starring Audrey Hepburn as Susy and Alan Arkin as Roat. It's one of the first movies Wallace can recall from his childhood, and it stuck with him.

"It just captivated me," said Wallace, 32, who has had several small roles in films but will be making his stage debut with this production.

The chance to follow in Arkin's footsteps and take on the role of Roat was an appealing challenge.

"I'm excited to potentially play the heaviest heavy that's ever been on the Magenta stage. It's fun to be part of something that's a departure from what they normally do," he said.

"Wait Until Dark" is kicking off Jaynie Roberts' plan to offer a more adult thriller every year around Halloween. It's part of catering to the whole family, men and grown-ups included, she said, but don't expect the rest of future seasons to deviate from Magenta's typically family-friendly fare.

"It doesn't mean that we're going to be this worldly, wild theater company," she said.

LOOKING AHEAD

Magenta Theater's 2009 season continues Oct. 30 and 31 with "Mystery on Main," an interactive show written and directed by Charlie Granade and produced by Jaynie Roberts.

"We're going to take a time machine back to 1971 and find out what really happened to D.B. Cooper," Granade said.

The season concludes with "Every Christmas Story Ever Told (And Then Some!)", which runs Dec. 3-19. In the show, three actors decide to perform Christmas stories and carols from around the world instead of the ubiquitous "A Christmas Carol."

Magenta's 2010 season has changed from Roberts' original plan. She intended to offer "Barefoot in the Park" and make her Magenta theatrical debut playing Mrs. Banks. But the script contains a racial slur and Roberts' request to change that line was denied. So, she dropped "Barefoot in the Park" from Magenta's lineup.

Instead, she'll audition for the roles of Mrs. Bennet and Lady Catherine de Bourgh in "Pride and Prejudice."

Roberts also had to move the Noel Coward play "Present Laughter" up in the season, since there's a Broadway revival of the show happening later in the year, and that was the only way she could secure licensing rights.

Here's what Magenta patrons have to look forward to in 2010:

Feb. 12-27
"Crossing Delancey" by Susan Sandler. Directed by Andrea Adams. Isabel is a modern young woman who lives alone and works in a bookshop. Her grandmother and a matchmaker think they've found a man for Isabel: a pickle vendor named Sam. But will she see what a good catch he is?

April 16-May 1
"Pride and Prejudice" by Jane Austen, adaptation by Joseph Hanreddy and J.R. Sullivan. Directed by Dorinda Toner. This comedy-drama of manners set in late 18th century England centers on Mr. and Mrs. Bennet's quest to find wealthy husbands for their five daughters.

June 11-26
"Present Laughter" by Noel Coward. Directed by Jaynie Roberts. In this comedy, Garry Essendine, a popular and pampered actor, is busily making preparations for an extended tour. His apartment is invaded by Daphne, a beautiful, stage-struck young woman. When his wife, his partners and his numerous admirers arrive, Garry is hard-pressed to escape an embarrassing and easily misinterpreted situation.

Oct. 1-16
"Murder in Green Meadows" by Douglas Post. Directed by Dave Roberts. Thomas Devereaux, a successful architect and local contractor, and his beautiful wife, Joan, have just moved into their dream house in the quiet suburban town of Green Meadows when they are visited by their new neighbors, the Symons. A friendship quickly develops, but underneath the cool middle-American exterior, something is truly rotten in this thriller.

Dec. 3-18
"She Loves Me" by Joe Masteroff, Jerry Bock and Sheldon Harnick. Stage direction by Amanda Goff, musical direction by Eric Toner. Georg and Amalia are two feuding clerks in a European parfumerie in this musical set in Eastern Europe in the 1930s. Unbeknownst to each other, both have romantic pen pals. When George and Amalia find out they're each other's correspondents, they must rethink their previous perceptions.

If you go...

-- What: "Wait Until Dark," presented by Magenta Theater.
-- When: Continues at 7 p.m. Oct. 2-3, 9-10 and 15-17; 2 p.m. Oct. 17.
-- Where: Magenta Theater, 606 Main St., Vancouver.
-- Tickets: $10-$14 in advance, $11-$15 at the door. Students with I.D. can receive $5 off select seats for the Oct. 15 show, however, the play is not recommended for children younger than 10, due to violence, drug references and tense scenes. As part of the Free Night of Theater program, Magenta is offering 12 free seats to the Oct. 9 and Oct. 15 performances. These tickets must be arranged in advance by calling the box office. These requests will be handled first come, first served.
-- Information: 360-635-4358 or magentatheater.com. To learn more about Free Night of Theater, visit freenightoftheater.net.

Wednesday, September 16, 2009

wait until dark


Wait Until Dark, a suspenseful mystery/thriller by Frederick Knott, directed by David Roberts, comes to Magenta's stage this October. Two con men, led by a mysterious criminal, try to recapture a lost doll filled with narcotics that finds its way into the apartment of Sam Hendrix and his blind wife Susy. The con men must befriend and convince Susy that she is in danger and her husband is somehow involved. With the help of a young girl upstairs, Susy soon learns that things as not as they seem... but is it too late?

Dates and Times
October 1, 2, 3, 9, 10, 15, 16, 17 at 7:00 pm
October 17 at 2:00 pm

Location
The Magenta Theater at 606 Main Street, Vancouver, WA 98660

Prices
$14 VIP seats
$12 front seats
$10 side seats
> reservations recommended
> seats sold at the door will be a slightly higher price
> ask about available discounts

Now offering online reservations!

Or Contact Box Office
Email: tickets@magentatheater.com
Call: (360) 635-4358

Wednesday, July 15, 2009

a vision of excellence

A vision of excellence
Monday, July 6
by Adam Stewart
Vancouver Voice















Brooke Strand has been acting since she was a young kid, despite being legally blind.

On a bright Saturday morning, I arrived at the Magenta Theater on Main Street to watch rehearsals and to meet my subject. After rapping on the side door, I was greeted by Heidi Slagle, who let me in and led me to the theater. On the short black stage, actor Tony Provenzola was lying on a table, feigning incapacitation, while four casually-dressed actors surrounded him, arguing and mourning in guttural English accents. First-time director Slagle interrupted periodically to guide and make suggestions to her cast, as several spectators of all ages watched on. In the isle to my right, a black Labrador retriever with a guide harness watched, stood up, roamed, sniffed, and lay back down.

When the cast broke for lunch, my subject, Brooke Strand, 29, stepped down from the stage (wearing a Magenta-colored blouse, no less) and we made our proper introductions. She encouraged her guide dog, Caelyn, to lead us to a quiet spot.
Strand has been visually impaired since she was born. She said her optic nerve didn’t form properly, and while the level of her vision is stable, lack of vision in her right eye compromises her depth perception.

“My biggest challenge is ... being accepted,” she said of her disability. “Just trying to fit in with everybody, and people just didn’t understand it.” Strand said her middle school and high school years were particularly challenging. “I worked really hard to get good grades; I stayed up several nights a week just to get stuff done.

“But since I got out of high school, I had a better understanding of who I am, what I wanted to do,” she said. “[I’ve gained] a little bit more confidence and [I learned] how to tell people, yes I have a vision problem, but I can adapt to that ... just do what I need to do and let people know that this is what I can do.”

For Magenta’s upcoming production of The Wind In the Willows, she will play Mole. “My character in this play is rather shy and a little timid, and that’s something I can easily relate to. And the part that’s kind of funny is moles don’t really see very well, so I guess that’s the connection there!”

“I love working with her,” said director Slagle. “She takes direction very well ... If she has an issue with anything she asks questions, she offers up suggestions. She’s a great asset to the Magenta team.”

Brooke said that taking up dancing at a young age helped her gain some familiarity with the stage.

“Since I was about five or six, I danced. I took ballet, tap and jazz,” she said. “That really helped me get used to the stage and get used to people watching me.

“Dancing’s pretty easy because you have this whole space, and your group always knows what spots you’re going to be in, so it’s easy to maneuver.”

She said she applies the same sense of visualization to help her.

“I really like to try and get to know the stage and where things are, and if I know where things are, it’s easy to maneuver,” she said.

Her adaptability has been staggeringly affective, according to Dorinda Toner, who has directed Strand in productions Little Women and who has instructed Strand in a Magenta acting class.

“Once she’s on stage, you would never know she has any kind of impediment,” said Toner. “I had out-of-town family come and see Little Women, and I told them that one of my actresses was blind, and they couldn’t figure out which one it had been.

“She has a real passion for being on stage, [and] doesn’t let her disability get in the way of that.”

Strand took an interest in acting at an early age. In the third grade, she was cast as the lead role in the school production of The Nutcracker. After a hiatus during middle school and high school, she resumed acting during her senior year and took part in a production of The Great Divorce at Concordia University. In 2005, she took part in a performance of My Fair Lady at the Washington State School For the Blind, where she teaches. During this project, Jaynie Roberts, current artistic director for Magenta, met Brooke to coach her on accents. Roberts encouraged Strand to audition for Magenta’s upcoming production of The Lion, the Witch and the Wardrobe, for which Brooke was cast in the role of Mrs. Beaver.

Since then, Strand has continued to perform for both her school and Magenta.

“My biggest thing is that when I’m acting I can pretend to be someone else,” said Strand. “When I’m with other people, I’m usually pretty shy. But when I’m on stage, I can pretty much be whatever I want to be.”

Strand went to grad school at Portland State University, where she earned her Masters in Teachers for Visually Impaired. At the Washington State School For the Blind, her classes consist of first- through fifth- grade students.

“I really wanted to work with little kids to let them know that you can do whatever you want to do, that nothing can stand in your way,” she said. I want to build up their confidence through teaching, through having fun and all that.

“It kind of goes well with acting because you have to act a certain way when you’re around kids and I find that making them laugh and being funny and saying funny things is a good way to help get their respect in a sense.”

Brooke said she also brings her theater experience to her students by staging in-class plays with them.

While she is interested in acting for other companies, practicality, among other things, will keep her generally local.

“I’d like to go to other places, but I’m still learning how to be comfortable with other people, and I’m very comfortable with Magenta. They’ve been really awesome as far as asking me what I can and can’t do. It’s just been a great experience; I’m very glad that I’ve met these people. It’s a wonderful atmosphere to be in.”

Brooke lives in Vancouver with her fiancé and three dogs, including Caelyn.

“I don’t anticipate to make a career out of [acting,]” she said. “I mostly just do it because it’s fun and I like being on stage. In the future I would like to be doing what I’m doing and enjoying it. That’s the important part.”

Magenta’s production of The Wind In the Willows opens July 9 and runs through July 25. For more information, contact the box office at 360-635-4358 or visit www.magentatheater.com.

Friday, July 10, 2009

now showing

Just a reminder -- The Wind in the Willows opened last night! There are only 7 more performances of this sweet and funny show.

Dates and Times
July 10, 11, 17, 18, 23 and 24 at 7:00 pm
July 25 at 2:00 pm

Location
The Magenta Theater at 606 Main Street, Vancouver, WA 98660

Prices
$14 VIP seats
$12 front seats
$10 side seats
> reservations recommended
> seats sold at the door will be a slightly higher price
> ask about available discounts

Now offering online reservations!

Or Contact Box Office
Email: tickets@magentatheater.com
Call: (360) 635-4358